Toad the Wet Sprocket
Tuesday, August 27, 2019 at 7:30 PM at South Orange Performing Arts Center
Named in honor of a sketch by the Monty Python comedy troupe, Toad the Wet Sprocket became one of the most successful Alternative Rock bands of the early ’90s, boasting a Contemporary Folk-Pop sound that wielded enough melody and R.E.M.-styled jangle to straddle both the Modern Rock and adult Contemporary markets. Singer Glen Phillips, guitarist Todd Nichols, bassist Dean Dinning and drummer Randy Guss formed the group in 1986 in their native Santa Barbara, California. After honing their sound in local bars, the bandmates entered a nearby studio in 1988 and recorded their debut LP, Bread and Circus, in eight days at a cost of $650. Originally sold as a homemade cassette in Santa Barbara record stores, the album eventually made its way to the Los Angeles offices of Columbia Records, which signed Toad only after agreeing to the band’s request to reissue Bread and Circus in its original form, without any alterations or remixes.
The somber Pale, produced by Marvin Etzioni, followed in 1990. After years of persistent touring, Toad the Wet Sprocket’s commercial breakthrough followed with 1991’s Fear, as the single “All I Want” — quite nearly left off the album — became a Top 20 hit. Another single from the LP, “Walk on the Ocean,” fared similarly well, and the combination pushed Fear to platinum sales. Three years later, Toad returned with Dulcinea, which generated a third Top 40 hit with the single “Fall Down.” While “Fall Down” seemingly catered to the grunge generation with its minor-key riffs and anxious vocals, the bulk of Dulcinea emphasized Toad the Wet Sprocket’s acoustic craft, and the band scored another hit with the mellow “Something’s Always Wrong.”
It wouldn’t be until 2009 that the band went from summer tours and occasional one-off gigs to something the members no longer considered to be broken up. In 2010, officially reunited, Toad’s members gathered to re-record new versions of older hits for use in film and television, not owning the rights or making much money from the famous recorded versions of older material. Shortly after work was begun on brand-new material, resulting in 2013’s New Constellation, the band’s first new studio album in over 16 years. The album was funded primarily by fans through an online campaign.
Now, the band is celebrating 30 years since the release of Bread and Circus and reinvigorating a career that is standing the test of time.